While photography is an age-old profession, photographing climbers is a whole different ballgame.
A professional photographer may be able to manipulate any camera or lens enough to take great photos, but why risk it when you can get a lens that makes the job much easier and safer?
This post reviews some of the best lenses you can use for climbing photography.
Best Lens for Climbing Photos
The best lens for climbing is a wide-angle lens.
Not only do they allow you to get close to the action, but they also have a wider view, allowing you to capture the surroundings even on up-close shots.
Sony 24-105mm F/4 G
The Sony 24-105mm F/4 G is the go-to lens for many professional rock climbing photographers.
If you’re on a budget and can’t afford to splurge out on several lenses, investing in the Sony 24-105mm F/4 G will equip you with everything to start or elevate your climbing photography.
This lens will do the job with minimal fuss and unmatched precision, whether you’re looking to capture wide or telephoto images.
The lens also allows you to take splendid close-ups thanks to its minimum focusing distance of just 1.45 feet.
In addition, its F4 maximum aperture and G-lens design (4 aspherical and 3 extra-low Dispersion glass) allow it to maintain exposure and high corner-to-corner resolving power throughout the entire zoom range, respectively.
Add Sony’s direct drive Super-sonic motor system (DDSM), and you have a potent less that will take whatever you throw at it with ease.
Sony 24-70mm F2.8 GM II
Its compact form factor, compared to its rivals, is one of the strengths of this Sony lens. However, that’s not all it offers.
The Sony 24-70mm F2.8 GM II boasts superb optical performance, rapid autofocus response, and handy on-barrel controls among others.
The only downside of this high-spec lens is its price if you’re on a budget and its construction.
It’s built out of polycarbonate, and while it makes it lighter and is as durable as metal, it doesn’t stand up to as much abuse as some other competitors on this list.
The lens takes sharp images when you zoom in and performs as well with wide-angle shots, albeit with a loss in detail over the edges for wide-angle snaps.
Zeiss Batis 18mm F/2.8
Zeiss is a world leader in optical design and engineering innovations, so the company knows a thing or two about making camera lenses.
Zeiss lenses are some of the best performance, with high-end photographers and cinematographers favoring the brand.
While it’s a bit more niche than other lenses, the Zeiss Batis 18mm F/2.8 stands out for climbing photography.
As a prime lens, it features a fixed 18mm focal length, which means zooming and widening are not possible.
However, as a wide-angle lens, it takes superior zoom quality images.
However, if you only have the budget for one lens, you may want to look elsewhere, as the Zeiss Batis 18mm F/2.8 has limited capabilities.
Tamron 15-30mm f/2.8
If you’ve noticed, there’s a trend starting to form here as the Tamron is another wide-angle lens.
Its wide angle allows you to capture the climber and their surroundings at close range, allowing you to get in on the action without losing the peripheral.
Similarly, because of its wide aperture, the Tamron excels at isolating the target and keeping shutter speeds fast in low light conditions.
Nevertheless, the Tamron has one other feature that puts it ahead of the competition – its rugged build.
As a climbing photograph, it’s essential to invest in equipment that can take a bash or scrape against rocks and other obstacles without shuttering.
The Tamron is one of the lenses that can take a beating and still take incredible shots.
Best Camera Lenses for Different Climbing Photos
While you can always figure out a way to make any of the lenses above work for you, certain setups will give you even better images.
If you’re not on a budget and have enough to spend on a few lenses, below is a list of ideal lenses for different angles:
- Canon 11-24mm f/4L – ideal for taking top-down shots
- Sigma 100-300mm f/4 EX DG HSM APO & Canon 400mm f/5.6L – these two lenses shine when you need to take photos from further away. The Sigma excels for shots from a distance while the Canon is best for long shots from far
- Canon 11-24mm f/4L and Canon 16-35mm f/4L IS – these two lenses are best for top-down shots
- Canon 24-105mm f/4L IS and 70-200mm f/4L IS – both these lenses are ideal for top-down and from the side shots. However, the 200mm lens is also ideal for lifestyle and portrait shots
How to Choose a Lens for Climbing Photos
The type of lens you need to take postcard-worthy photos will depend on your camera and your budget.
Similarly, it will depend on the type of photos you want to take. As outlined above, different lenses give better results for different types of shots and distances.
That said, the best lens for climbing photos has the following characteristics:
When you’re fighting against gravity, you want to be as light as possible.
Given all the climbing gear you’ll have to haul along, you must choose a lightweight lens for your climbing adventure.
Investing in a lens that performs exceptionally in a variety of conditions means you don’t have to carry too many lenses.
That way, you can still get epic shots without tiring yourself out.
As much as you need a lightweight lens, it also needs to be rugged.
One thing you’re assured of is that your climbing gear, including cameras and lenses, will slip and fall or hit the face of the mountain or rock you’re climbing.
Given how expensive lenses can be, the last thing you want is to render yours unusable after a single fall.
Lenses play a vital role in the quality of your photos.
As a climbing photographer, you need to choose a lens that is versatile, rugged, and lightweight.
The best lenses for climbing photography are not always the most expensive ones.
You also don’t need the latest and greatest technology to take amazing photos. In fact, some of the best lenses have been around for years.
The key is to understand your camera and what each lens can give you.
With that knowledge, you’ll be able to take incredible climbing photos, regardless of the type of camera or lens you have.